Philadelphia harpist Mary Lattimore takes a break from collaborating with the likes of Kurt Vile and Jeff Zeigler to produce a rare collection of home-spun solo recordings, using her Lyon and Healy Concert Grand Harp, contact mics, a delay pedal and not much else. Half dreamt, half improvised, Mary's songs meander like off-world rivers glowing with bioluminescence.
'bountiful sonic strangeness' - The Quietus
'wonderfully calming' - Norman Records
'a mind-opening sense of tranquility' - The Deli
'magically navigates between a cosmic flux' - millefeuille