Philadelphia harpist Mary Lattimore takes a break from collaborating with the likes of Kurt Vile and Jeff Zeigler to produce a rare collection of home-spun solo recordings, using her Lyon and Healy Concert Grand Harp, contact mics, a delay pedal and not much else. Half dreamt, half improvised, Mary's songs meander like off-world rivers glowing with bioluminescence.

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'bountiful sonic strangeness' - The Quietus

'wonderfully calming' - Norman Records

'a mind-opening sense of tranquility' - The Deli

'magically navigates between a cosmic flux' - millefeuille